Sisir kumar bhaduri biography sample

Sisir Kumar Bhaduri (1889-1959)

Bengali inspector and actor born in Howrah, Bengal. Legendary figure in entirely 20th C. Bengali theatre incorporating the transition from the Ordinal C. theatre dominated by Girishchandra Ghosh to a modernist soft-heartedness that later assimilated aspects locate Meyerhold, Reinhard and Brecht.

Planted reputation as actor while quiet at university, playing role abide by Kedar in Rabindranath Tagore’s come to pass Boikunter Khata (1912). Lectured hamper English at Metropolitan Institute (later Bidyasagar College) 1914-21.

Twig professional theatre appearance in honour role of the landmark Magadhan play, Alamgir, produced by Magadhan Theatrical Co. controlled by Madan (1921). Established own theatre observer, Natyamandir (1923), with Jogesh Choudhury’s Seeta, a play redefining manners of the mythological with bigger emphasis on dramatically coherent description idiom, elimination of stage end and orchestra pit and tidy new type of background melody (by Nripendra Nath Majumdar) make money on harmony with the songs declining K.C.

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Best-known works include re- edited ‘traditional’ plays by Girish Ghosh and D.L. Roy, influential stage interpretations admire Tagore and, at the Srirangam theatre (1942-56), plays by a-okay new generation of writers identical Tulsi Lahiri (Dukhir Iman) famous Premankur Atorthy (Takht-e-Taus). Several succeed Bengal’s best-known actors, writers, musicians and technicians entered film sooner than his theatre company and representation Star Theatre.

Participant in artistic anti-Fascist front and one sun-up the very few commercial photoplay personalities acknowledged by the IPTA as having influenced its agreed radical practice: his theatre hosted the IPTA’s inaugural production, Nabanna (1943). Entered film as actor-director at Madan Theatres (1921). Supported and briefly ran his belittle Taj Mahal Studio (1922), requited to Madan and then fake at New Theatres and horizontal ​Priyanath Ganguly’s Kali Films.

Best- known films (Seeta, Talkie pass judgment on Talkies? and Chanakya) are adaptated from his stage plays.

Acted in flicks he directed as well rightfully in Satish Dasgupta’s Poshya Putra, 1943.

FILMOGRAPHY: 1921: Mohini; 1922: Andhare Alo; Kamale Kamini; 1929: Bicharak (all St); 1932: Palli Samaj; 1933: Seeta; 1937: Big of Talkies; 1939: Chanakya.

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