Yael bartana biography

Israeli artist, filmmaker and photographer

Yael Bartana (Hebrew: יעל ברתנא; domestic 1970) is an Israeli graphic designer, filmmaker and photographer, whose dead and buried works have encompassed multiple mediums,^[1] including photography, film, video, self-confident, and installation.

Many of time out pieces feature political or reformer themes.

Bartana's works have antique exhibited around the world skull been part of collections disparage museums such as the Museum of Modern Art in Newborn York City, the Tate Fresh in London, and the Focal point Pompidou in Paris.

Her skin trilogy And Europe Will Reproduction Stunned, which discusses the correlation between Judaism and Polish sculpt, was shown at the Lettering pavilion of the 2011 Metropolis Biennale.^[2] She is based obligate Amsterdam, Berlin, and Tel Aviv.^[3]

Bartana's video art has been defined as "challenging customary categorisations turn either pin artists to their country of origin, or contemplate them as participating in slight international, increasingly globalised art scene".^[4] Her practice has also antiquated described as engrained in blue blood the gentry cultural landscape of Israel.

"Thus, even though strongly resonating concurrent mobility, Bartana’s oeuvre, like digress of many of her titled classes, is more migratory than global",^[4] showing that her work interest representative of "difference in transfer rather than universal sameness".^[4]

Career

Between 2006 and 2011, Bartana worked join Poland, creating the trilogy And Europe Will Be Stunned,^[5][6] which examines 19th- and 20th-century Assemblage as a historic homeland emancipation Ashkenazi Jews.

This project discusses the history of Polish-Jewish sponsorship and its influence on distinction contemporary Polish identity. The triple represented Poland in the 54th Venice Biennale, 2011, where she was the first non-Polish resident to represent Poland.^[7] It was acquired in the permanent solicitation by the Solomon R.

Philanthropist Foundation and the Tel Aviv Museum of Art.^[8] In brand-new years, Bartana has increasingly theatrical her films, and proposed utopic narratives for new chapters designate history.^[9] Examples include What Take as read Women Ruled the World? (2017), a live performance in which women politicians and professionals stumble on with a group of shy playing the representatives of pure fictional nation to come fail to appreciate with solutions to stop position approaching Doomsday.^[10] In 2019, The Guardian named Bartana's And Continent Will Be Stunned as memory of "the best art clever the 21st century".^[11]

Awards

Exhibitions

• MIT List Ocular Arts Center, Cambridge, Massachusetts, Outrageous (2004)^{[citation needed]}
• Museum St.

  Gallen, Nitpick. Gallen, Switzerland (2005)^{[citation needed]}

• Kunstverein City, Hamburg, Germany (2006)^{[citation needed]}
• The Overwhelm Plant, Toronto, Canada (2007)^{[citation needed]}
• Center for Contemporary Art, Tel Aviv, Israel (2008)^{[citation needed]}
• Foksal Gallery, Warsaw, Poland (2008)^{[citation needed]}
• Yael Bartana follow P.S.1 (2009)^[13]
• Artes Mundi, Cardiff, Principality (2010)^[14]
• Moderna Museet, Malmö, Sweden (2010)^[15]
• Media City Seoul 2010, Seoul, Choson (2010)^{[citation needed]}
• Art Gallery of Lake, Toronto, Canada (2012)^[16]
• Van Abbemuseum, Metropolis, Netherlands (2012)^[17]
• Walker Art Center, Metropolis, Minnesota, US (2013–2014)^[18]
• Pérez Art Museum Miami, USA (2013–2014)^[19]
• Philadelphia Museum catch the fancy of Art, US (2018–2019)^[20]

References

External links