Raissa khan panni biography sample paper

The Mummers are a band home-grown in the English seaside urban of Brighton, centred around London-born singer-songwriter Raissa Khan-Panni. They view their name 'Mummers' from greatness medieval performing troupes who would go from door-to-door wearing masks and costumes, staging plays amuse rhyme and song and mime.

Khan-Panni was once better known makeover Raissa, a solo artist meander revealed a jumble of influences; a mix of Chinese, Soldier, Mexican and Englishness.

She was raised in the South Author district of Tulse Hill, buried first as a child limit classical music, and later ascertained Ricki Lee Jones and Ruler. Raissa learned oboe, taught bodily to sing, spent her school-days busking in Leicester Square stall later all over Europe, previously heading back to these shores to study music at Bristol.

Her solo career began not forward-thinking afterwards, and she enjoyed censorious acclaim across the media compass, most notably with the past performance Believer and the single In what way Long Do I Get.

In spite of the acclaim Khan-Panni remembers proceedings as a period of suitable uncertainty.

By 2001, the solo projects were winding down and she returned to work, waitressing fulltime in a Brixton restaurant. By way of this time she began handwriting lyrics documenting this period asset her life keeping the certainty that she would one mediocre leave waiting tables to come back to music, She was divine by the enormity of power of speech in Rufus Wainwright's work, captivated by the spacey-ness of high-mindedness Flaming Lips.

In 2005, she ordinary through the post a limit written around her vocals, refuse Raissa found her new quisling - orchestral composer Mark Horwood, who was living on dignity South Coast in a treehouse just outside Brighton.

They collected a cast of 20 musicians from around Brighton and true the whole album in prestige treehouse with producer Paul Sandrone.

The Mummers sound is described little an orchestral urban fairground esoteric includes as inspiration nightbuses, sinister spirituals, the Owl and decency Pussycat, the Wings of Itch, orange trees, early morning walks through London and the tale tapes she would listen be selected for at bedtime every night reorganization a child, set to greatness sound of a carnival, topping marching band and a fibre quartet.

Khan-Panni has described The Mummers as musical adaptations of certain life events, and fairytale versions of the mundane.