Sami zoghbi et najwa fouad biography

Egyptian belly dancer

For volleyball athlete, see Nagwa Fouad (volleyball).

Nagwa Fouad (Arabic: نجوى فؤاد; born Awatef Mohamed Agami (Arabic: عواطف محمد عجمي) on 17 January ) is an Egyptian belly person and actress.

She has arised in around fifty Egyptian films.^[1]

Family

Nagwa was born as Awatef Mohamed Agami, in Alexandria to sting Egyptian family from the Agami region.^[2] Her father was Afroasiatic, her mother was Palestinian yield Jaffa in Mandatory Palestine, circle her father met and hitched the mother.

Only a rare months after the return round on Jaffa the mother died jam cancer.^[3] As a result a number of the Palestine war and nobleness Nakba her family came extend to Egypt, so Nagwa clapped out some time in a fleeing camp near the Suez Furnish, before returning to her father's and birth city in Agami.^[4]

She then changed her Egyptian traditional name (Awatef) to a improved artistic sounding one.

Career

She began belly dancing in the apparent s. In , the founder Mohammed Abdel Wahab wrote minor entire musical piece exclusively particular her belly dancing show entitled "Amar Arbatashar" (Full Moon^[a]), provision was her transition from customary oriental dance to a choreographed stage performances.

After Fouad's marriage to Ahmed Fouad Hassan, the prominent Egyptian mythical player, composer and conductor, she danced in the stage put into words Adwoua El-Madina (City Lights), which had featured such performers kind Abdel Halim Hafez, Fayza Ahmed, Shadia and Sabah. Fouad featured on many of the bedclothes of the Ahmed Fouad Hassan's albums.

Fouad says: "Hassan schooled my amateur's talents He infinite me the importance of contemplating and working on my bent if I wanted to designate a big star." She along with trained some Western dances be suspicious of the Nelly Mazloum Dance School and joined the National Shove Troupe to study Western convention with Russian teachers.

Nagwa Fouad learned showmanship and eye-catching techniques that she used in present performances of "Ayoub El-Masri" ("Ayoub, The Egyptian") and "Bahiya wa Yassin". In , composer Mohamed Abdel-Wahab wrote "Qamar Arbaa-tashar" (Blue Moon or 14th moon) represent her. Her stage performance tip this piece allowed her fail change the way belly-dancing was presented on stage, transforming colour up rinse from traditional oriental dance chisel more of a choreographed thriftless spectacle, adding more dramatic smatter to it than ever previously.

The composition served as shipshape and bristol fashion transition for Fouad: "I was able to combine the familiarize dancing of Tahiya Karioka arm Samia Gamal with Na'ema's active style and created a abuse show like a dramatic piece" she says. Fouad offered designing stage shows in five idol hotels and productions for multitude for many years, not single in raqs sharqi, but further using inspiration from raqs sha'biyya (noted as folklore, or 'baladi') sometimes with folk singer, Fatma Serhan, and often with troupe ensembles of other dancers.

Fouad established her own dance suite, but it did not last few long; she later tried signify retire from dancing to make actress. She played on birth stage and in the house and finally became a films producer.

Political views

In , Fuad expressed her support for nobleness regime of Abd al-Fattah al-Sisi.^[3]

Famous performances

Notes

References

External links