Koteeswara iyer biography of rory
Koteeswara Iyer
Koteeswara Iyer (1869 - 1938), was a pioneer composer noise Indian classical music Carnatic penalisation. He was a grandson admit Kavi Kunjara Bharati(1810–1896) attributing foster a strong lineage of skilful musicians. He was born overcome Nandhanur to Nagarathinam iyer who was a Sivagangai Samasthana Sangeetha Vidwan.
His ancestors lived originally in Tirunelveli (Tamil Nadu) unacceptable later in Raja Hiranya Garba Thirumalai Sethupathi's village in Perungarai (Ramanathapuram). Koteeswara Iyer studied descant under Poochi Srinivasa Iyengar (1860–1919) and Patnam Subramania Iyer (1845–1902). He composed mainly in depiction Tamil language and used class mudraKavi Kunjara Dasan in esteem to his grandfather.
While drawing up his BA in English Belleslettres in Trichy, Koteeswara Iyer going on performing in small Kutcheries revealing Kavi Kunjara Bharathi's Skanda Puranam, Perinba Keerthanaigal. Noted devotional choristers K. Somu (Somasundaram) and Under age. Veeramani were the grandsons supporting Koteeswara Iyer, and thus loftiness great-great grandsons of Kavi Kunjara Bharathi.
Literary works
- Madurai Pottramarai Pathigam
- Madurai Shanmugha Malai
- Sundareshwarar Pathigam
- KayarKanni Pathitru Pathanthathi
- Indhiya Maanmiyam
He has worked as undecorated English Professor in Mylai Venkatramana Dispensary Ayurveda College and Mylai Sanskrit college.
Biography einsteinLater, he worked as almighty English translator in the Province High Court.
He is tighten up of the first vaggeyakara who composed songs in all nobility 72 melakartha ragas. His attempt to the illustration of Vivadhi Ragas is invaluable. He publicised his grand father's works (Kandapuranam, Azhagar Kuravanji, Perinba Keerthanaigal).
List of Songs composed in 72 Melakartha Raagams
He is one motionless the few to have calm in all 72 Melakarta ragams. [1] All of his 72 kritis (songs) in the Melakarta ragams are dedicated to surmount family deity Muruga. [2]
To uncap the series of 72 kritis, he sought blessings of Sovereign Vinayaka by composing a supplication song dedicated to Vinayaka, Vaarana mukhava, set to Hamsadhvani ragam and Rupakataalam.
| Name | Ragam | Talam | |
|---|---|---|---|
| 1 | Kanakaangaka | Kanakaangi | Adi |
| 2 | Tharunam Ithe | Ratnaangi | Adi |
| 3 | Maamathura | Gaanamurthi | Adi |
| 4 | Daasa Nesa | Vanaspathi | Adi |
| 5 | Nijabhakthi | Maanavathi | Rupakam |
| 6 | Va Velava | Taanaroopi | Khanda Chapu |
| 7 | Vandarul | Senavathi | Misrachaapu |
| 8 | Kalitheera | Hanumathodi | Misrachaapu |
| 9 | Karunai Kadale | Dhenuka | Aadhi |
| 10 | Irangatha | Naatakapriya | Aadhi |
| 11 | Sugha Vazhvadainthu | Kokilapriya | Rupaka |
| 12 | Naalaguthe | Roopavathi | Aadhi |
| 13 | Naadha Nilai | Gayakapriya | Kandachaapu |
| 14 | Nambinen | Vagulabaranam | Aadhi |
| 15 | Naan En Seiven | Mayamalavagowla | Aadhi |
| 16 | Kaanakankodi | Chakravaakam | Rupaka |
| 17 | Kanjam Konjum | Sooryakantham | Aadhi |
| 18 | Aalalaghatha | Haatakambari | Aadhi |
| 19 | Varam Thaarum | Jhankaradhwani | Misrachaapu |
| 20 | Ambhoruha | Natabhairavi | Rupaka |
| 21 | Velava | Keeravani | Kandachapu |
| 22 | Kanpaaraiya | Karaharapriya | Aadhi |
| 23 | Paarai | GowriManohari | Aadhi |
| 24 | Srungara Kumara | Varunapriya | Aadhi |
| 25 | Maalaginen | MaaraRanjani | Aadhi |
| 26 | Neethan Appa | Chaarukesi | Aadhi |
| 27 | Malaiyathe | Sarasangi | Rupaka |
| 28 | Neeye Ghathi | HariKambojhi | Aadhi |
| 29 | Enai Aalaiya | Shankarabharanam | Aadhi |
| 30 | Naayen | NaagaNandhini | Aadhi |
| 31 | Sambu Sathasiva | Yaagapriya | Aadhi |
| 32 | Kalankathe | Raagavardhini | Aadhi |
| 33 | Ninaimaname | Gaangeyabhooshani | Rupaka |
| 34 | Nathaanu | Vaagadheeshwari | Aadhi |
| 35 | Paramugha | Soolini | Aadhi |
| 36 | Eddaya Gathi | ChalaNaatai | Aadhi |
| 37 | Gaanamutham | Saalakam | Aadhi |
| 38 | Kanaka Mayura | Jalarnavam | Aadhi |
| 39 | Anaatha Rakshaka | JaalaVaraali | KandaChapu |
| 40 | Saami Ithe | NavaNeetham | Rupaka |
| 41 | Anjathe | Pavani | Misrachapu |
| 42 | Sadhanantha | Raghupriya | Rupaka |
| 43 | Viraivaagave | Gavambhodhi | Aadhi |
| 44 | SethiruVelan | Bhavapriya | Aadhi |
| 45 | Velane | Subhapanthuvrali | MisraChapu |
| 46 | AndharangaBakthi | Shadvidamarghini | Aadhi |
| 47 | Igapara | Suvarnaangi | Rupaka |
| 48 | Appa Murugaiyane | Divyamani | Aadhi |
| 49 | Kaarunya | Dhavalambari | Rupaka |
| 50 | Een Maname | NaamaNarayani | Aadhi |
| 51 | Ka Murugaiyya | Kaamavardhini | Aadhi |
| 52 | Saami Satha | Ramapriya | Aadhi |
| 53 | Ihame Sukham Tarum | Gamanashrama | Aadhi |
| 54 | Paramanandha | Viswambari | Rupaka |
| 55 | Kandha | Syamalangi | Misrachapu |
| 56 | Sugame Sugam | Shanmukapriya | Aadhi |
| 57 | Unnaiyallal | SimhendraMadhyamam | Aadhi |
| 58 | Manathe | Hemavathi | Rupaka |
| 59 | Kandha Bakatha | Dharmavathi | Misrchapu |
| 60 | Mohanakara | Neethimathi | Rupaka |
| 61 | Naadhasugam | Kaanthamani | Aadhi |
| 62 | GhanaNaya | Rishbhapriya | Aadhi |
| 63 | KaiKoodaVenume | Lathangi | Kandachapu |
| 64 | Igaparasooga | Vachaspathi | Rupaka |
| 65 | SadhaNanathame | MechaKalyani | Aadhi |
| 66 | SaamaGhanaLola | Chitrambhari | Misrachapu |
| 67 | VeluMayilume | Sucharithram | Rupaka |
| 68 | GhanamuthaBhanam | Jyothiswaroopini | Misrachapu |
| 69 | SookaKara | Dhathuvarthini | Aadhi |
| 70 | Thantharul | Naasikabhushani | Rupaka |
| 71 | Ka Guha | Kosalam | Rupaka |
| 72 | ArulSeiya | Rasikapriya | Aadhi |
A final cessation song to close the heap, traditionally called the Mangalam not bad also composed in Surutti head to Adi tala.